We offer people to wash their hair after they chose between ten bottles of shampoo we made ourselves.
Each of them was related to a different poem which was talking about pain.
So we tried to heal these sorrows by making shampoo for the people who were feeling them.

"Do you like the dark?" Anna nodded: "It makes you big. It makes day prisons huge
and no longer narrow." Rübezahl laughed softly. "Really, really", he said.
"And I like the darkness because I can think about myself there and look for clarity.
In the daytime, others think about me, and most of it is wrong. Do you understand that?"
Fynn, Hello Mister God, this is Anna, 1974, chosen by Anna

We have built a "Factory of poetry" out of cardboard and took it to differents places.
The people ask us for poems and we write them inside the factory with typewriter.
When they're written, we first read the poems into a megaphone and then give them to the people who ordered them.

With my friend, writer, and performer Sébastien Hoffmann,
we made three books that told the story of a journey across seas, steppes and deserts.
We two and some artists guests presented them to the public with readings, music and shadows effects.

During Strasbourg's Christmas market, the army is present and searches everyone
crossing the city's bridges to go into the city centre.
"This is an anti-terrorist measure", says the government.
With the Noun collective, we built a Trojan horse out of cardboard, hid inside it
and then went over to the next bridge to see if they would let us through...

Noun savons pas la plage, performativ group action, Collectif Noun,
L'atlantico, Strasbourg (France), 2017

The Noun collective has been invited by the atlantico barge to create a one-day event on the quai des bateliers.We built a fun fair and played some games with the public until nightfall.

Noun savons pas niquer le système, performativ group action,
Collectif Noun, Senones (France), 2017

The Noun collective has been invited by CEAAC to present a poetry event. We created a show especially for this venue and evening. The audience was seated throughout the gallery and the scenes followed one another from different sides of the space. The costumes and sets were created on site by the members of the collective. It was a one-shot show. It was sometimes very bad and sometimes fantastic.

This is a performative installation conceived for the "Avant-Première" exhibition in the HEAR's "Chaufferie" gallery. The space is dark and filled with metal machines that turn and make noise. We sing songs. The audience is transported through the space on wheeled trolleys. It's a factory that goes faster and faster, louder and louder.